The Song Of Moses (31:30-32:52)
Neal Pollard
John sees a sign in heaven which he calls “great and marvelous,” a sign involving angels, a sea of glass mixed with fire, victorious saints standing beside that sea, “And they sang the song of Moses, the bond-servant of God, and the song of the Lamb” (Rev. 15:1-2). Then, in Revelation 15:3 he quotes Deuteronomy 32:2-3. In one of our hymns, “On Jordan’s Stormy Banks,” there is a line that anticipates that as we rest in that fair and happy land, we will “sing the song of Moses and the Lamb, by and by.”
This song comes from God (cf. 31:19) and is first spoken by Moses (31:30) and then, of course, ultimately written down. It reminds us that Moses was not only familiar with Hebrew poetry, but he was the first to write it down (cf. Psa. 90). What can we learn from this inspired song, composed for Israel’s good?
It praises (1-4). He proclaims the Lord’s name, and calls for others to ascribe greatness to Him (3). He calls God “the Rock” (cf. 15,18,30,31), indicating His steadfastness and dependability. He upholds God’s character as perfect, just, faithful, righteous, and upright (4). How many songs have followed this pattern, declaring to God in song in many different words, “How great Thou art!”?
It admonishes (5-6). Given the integrity and greatness of God, we certainly should not act corruptly, deny our heritage, and become crooked and perverse (5). Yet, this song charges, or at least warns, that such a response is never far away from us. This kicks off a big part of this song that could not have left the singers feeling warm and fuzzy. Notice the admonition: “Do you thus repay the Lord, O foolish and unwise people? Is not He your Father who has bought you? He has made you and established you” (6). For being a great and giving God, how could we repay Him with anything less than gratitude and obedience?
It reminds (7-14). The song is historical, looking back to an event that is still in the future for the first singers of it. The lyrics were for their descendants, to remember the giving of Canaan. This part of the song carries them through the deliverance and provision in the wilderness all the way through the conquest. It also contains a reminder of how choice and plentiful the resources are in this land. Don’t we need reminded, not only of the Lord’s substitutionary sacrifice through events like the weekly observance of the Lord’s Supper? Don’t we need reminders of past blessings, especially our salvation from the wilderness of sin? As the song urges, “Roll back the curtains of memory now and then, show me where you brought me from and where I could have been; Remember, I’m human, and humans forget, so remind me, remind me dear Lord.”
It warns (15-27). The largest portion of this song is borne of divine love. It is a warning against forgetting! It foreshadows future apostasy and God’s inevitable response to it, in keeping with His perfect nature and character. The warning centers around the folly and destructiveness of idolatry, how God would respond to it with omnipotent punishment. We do not like warnings, but we benefit from them. They are deterrents from a God who supplies all our needs (cf. Phi. 4:19).
It laments (28-33). Following this lengthy rebuke, there is the emotional response of a fallen, punished people. Note the lyrics, “Would that they were wise, that they understood this, That they would discern their future!” (29). The future defeat of apostate descendants was not the result of a God who lacked ability (31), but because they chose to plant and harvest unrighteousness (32-33). Weeping always follows wickedness, whether in this life or the next!
It hopes (34-38). How does one respond and rebound from such a grim picture? Focus on God! The song shifts from earth to heaven. After their reaping the harvest of their unrighteousness, Israel could anticipate divine intervention: “For the Lord will vindicate His people, And will have compassion on His servants, When He sees that their strength is gone, And there is none remaining, bond or free” (36). In His deliverance, He would point out the futility of serving any rival (37-38). He points out that hope is only found in Him, and these singers would audibly say so.
It highlights (39-43). From the hope springs the ending that connects back to the beginning. Remember the character of that praiseworthy God? He is unique (39)! He is able (39). He is eternal (40). He is just (41-42). He brings joy (43). He atones (43). What better way to end this momentous song than by pointing the worshipper to heaven?
Following the song which followed the preceding instruction (essentially, the first 31 chapters, as we know it), Moses ends it this way: “Take to your heart all the words with which I am warning you today, which you shall command your sons to observe carefully, even all the words of this law. For it is not an idle word for you; indeed it is your life. And by this word you will prolong your days in the land, which you are about to cross the Jordan to possess” (46-47). The song was to touch their emotions, put their guard up, guide their descendants, bring them life, prolong their days, and fuel their mission.
The chapter ends with God’s instructions that Moses ascend Mount Nebo, reminding him that he could not enter the Promised Land with the people because he “broke faith” with God and did not “treat Me as holy in the midst of the sons of Israel” (51). That mountain would be the place of his death after he had glimpsed that Promised Land (52). Though this is the fate of the great leader of Israel, this song is a vital part of his lasting legacy. We do well to study this song and be reminded of how God wants us to think when we worship Him in that way today. Our song service should be filled with all these elements, and our hearts should be tuned in to the God described in this powerful song!



